Thursday, July 28, 2016

How It Feels to Be Colored Me (1928) - Zora Neale Hurston

Zora Neale Hurston, one of the most distinguished writers of African American literature in the twentieth-century, captures her journey of discovering her true identity during a segregated time period in her renown essay, "How It Feels to Be Colored Me". Hurston describes her emotional experiences of learning to appreciate herself despite facing discrimination from her white peers. She strongly emphasizes in her essay to people of all different races, genders, and ethnic backgrounds that despite being an African-American, she believes she was created to be herself. She asserts that the color of her skin does not define her as a person by utilizing detailed metaphors and powerful symbolism throughout her writing.
In the beginning, Hurston recounts an anecdote from her childhood when she first lost her innocence to discrimination.   It was through this experience, however, that she began to realize her true identity. Hurston does not express sorrow, rather pride and determination stating, "No I do not weep at the world - I am too busy sharpening my oyster knife" (Hurston 115). Through her powerful metaphor, the author effectively conveys her point: discrimination will not stop her from moving forward nor will it change her as a person. The inclusion of strong figurative language emotionally appeals to her audience, which makes her stance even more convincing.
To conclude her essay, Hurston also includes symbolism with a brown bag filled with random objects in order to reiterate her point of self acceptance. She compares herself with the brown bag to show that if different objects from different bags were all scattered and then mixed into her bag again, then "a bit of colored glass more or less would not matter" (Hurston 117). Through this meaningful symbol, Hurston reemphasizes her claim that she will not be distressed by her skin color. She insists that the Creator perhaps intended to create all the different races and had a meaningful purpose for each color. Hurston’s incorporation of a symbolic metaphor at the end of the essay builds onto her passionate claim that she established throughout the narrative and hence, does an effective job concluding her compelling viewpoint.


http://kentakepage.com/black-skin-white-mask-the-art-of-laurie-cooper/cooperfacereality/
Zora Neale Hurston learns to appreciate being an African-American, even during a period in history when white was considered the "ideal" skin  color